L Amour From Cradle To Coffin
A revisionist, grandly operatic “Dracula” was a fine idea, and screenwriter James V. Hart has employed the multiple narrators of Stoker’s novel in search of a contemporary metaphor for blood and death. But Coppola’s movie is a wobbly marriage of Ken Russell, Hans Jurgen Syberberg and Roger Corman. Strenuously stylized, veering between commitment and camp, unevenly acted and often awkwardly staged, Coppola’s remake throws so much fancy technique at its story that the usually foolproof drama at its core gets drowned in a tide of images....